Pinjar (The Skeleton), a
novel by the Jnanpith Laureate Amrita Pritam, is the voice of the huge outcry
that resulted due to religious conflicts during India’s independence and
partition. Amrita Pritam herself migrated from Lahore to India when former
British India was partitioned into the independent states of India and Pakistan
and it seems that she was very much
moved by the massacres during the time of independence. This probably encouraged her to write such an
influential novel which was made into an award-winning film, Pinjar (2003).
As the title suggests it is also set against
the background of the plight of the women who had been turned into mere
skeletons due to abduction by the men folk. Seen through the eyes of a Hindu
girl Pooro, it gives a picturesque description of the mournful condition that
resulted due to the scornful attitude of the two major religious groups of the
Hindus and the Muslims against each other during India’s partition.
Pinjar is basically the
story of Pooro who is kidnapped by a Muslim guy named Rashida in order to
avenge a past calamity in a similar fashion. Pooro goes through the mournful
abduction process which is aggravated by the parental desert when her father
refuses to accept her as he fears this act would lead to severe genocide.
However, Rashida is deeply in love with her and promises to keep her happy
throughout his lifetime inspite of the fact that he forcefully married
her. Later, Pooro comes across a mad
woman and a girl who had been sexually harassed, and amidst the unfavorable
circumstances, she does her best according to the need of the situation. She
even adopts the son of the mad woman out of love of motherhood. She refers to
these as pinjars(skeletons) and vows to help and protect them against the
initial tragedies associated with them. This is clearly reflected as she is
successful in rescuing her own sister-in-law from the clutches of harassment
and plight through her shrewdness and bravery along with the help and support
of Rashida.
The characters in the
novel are both round and flat. The
characters of Pooro and her husband Rashida are worth appreciating. However, Pooro’s parents are seen to have a possessive character as they do everything
that will retain the dignity of the family though it may be at the cost of
their own family members in contrast to the charismatic character of her own
daughter. The novel is of a chronotope type, dealing with the scene during
independence although it can be easily related to the scenario associated with
subdivisions of a state due to genocide reasons. It appears that the intended audiences are
both the men and the women folk as the author wants both the oppressors and the
oppressed to be aware of the gravity of the situation and raise their voices against
the same. The author is keen on making society people aware of the pains
undergone by the sufferers and the sympathetic concern they need from them for
no fault of their own.
Throughout the novel,
Amrita Pritam has nourished the character of Pooro as an epitome of woman power
and significance. Although Rashida is also brought up as a dynamic figure,
still the flawless description of Pooro clearly shows the author’s great desire
to glorify the suppressed power contained within the female section as against
the greatly cherished position and dominating status of the male population.
The conclusion part of
the novel is the best possible one as the author is quite successful in
focusing on the pious and true meaning of love, unbarred by any religious
disparity. The author is also quite successful in emphasizing the
influence of mass awakening in contrast
to sole reprisals as Pooro’s brother accepts his wife in spite of the fact of her
being abducted by a Muslim. Blend in a stream of emotions and happenings the
author takes the readers through a journey of self-development and awakening
against the hazards of the social and political culprits. The book stands as a
testimony to the powerful narration of the typical social strands against the
weaker section of the society and leaves no scope of confusion due to the uttermost
clarity of language maintained throughout the novel. Moreover, the coherence of
the events associated with the novel is worth appreciating.
The most fascinating
thing that the novel focuses on is the fact that when a social evil surpassed by
the victim is on a sole basis it is difficult for the family members to accept
the sufferer fearing disrespect due to the social system. However, when the
same situation is undergone by a greater number of victims, society handles
the situation with a sympathetic touch as is clearly revealed in the novel
where Pooro’s sister-in-law is accepted by her husband vowing to treat her
with some self-respect as before.
Overall, reading the
novel was a touching experience as it unreveals the ugly side of the hidden
social evils and also the bitterness of the upheavals due to the communal
disparities. Moreover, the spine-chilling description of the sufferings of the
female flock in a male-dominated society is worth appreciating. Thus, I would
prefer the book to all my friends for a more pronounced experience about the
social issues generally unnoticed by most of us and for making the world a better
and safer place for all of us to live in.
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